{"id":43577,"date":"2020-11-23T21:59:21","date_gmt":"2020-11-23T21:59:21","guid":{"rendered":"https:\/\/www.pokerscout.com\/?p=43577"},"modified":"2020-11-24T17:30:57","modified_gmt":"2020-11-24T17:30:57","slug":"revisiting-the-classic-gambling-film-california-split-with-writer-joseph-walsh","status":"publish","type":"post","link":"https:\/\/www.pokerscout.com\/revisiting-the-classic-gambling-film-california-split-with-writer-joseph-walsh\/","title":{"rendered":"Revisiting the Classic Gambling Film \u2018California Split\u2019 With Writer Joseph Walsh"},"content":{"rendered":"
The 1974 film California Split<\/i><\/strong> is regarded by many as one of the best<\/strong> depictions of gambling in movie history. Written and co-produced by the actor Joseph Walsh<\/strong>, the film routinely ranks highly on lists of \u201cbest gambling movies\u201d ever, often at the very top<\/a>.<\/p>\n The truth is, for gamblers who like movies, or film buffs who like to place a bet now and then, you can\u2019t do much better than California Split<\/i>.<\/p>\n Except, perhaps, to talk to Walsh himself about his film. I had the chance recently to do just that in a call with the writer at his California home. Much like his film, the conversation was both entertaining and edifying.<\/p>\n In a sense, California Split<\/i> is a buddy movie, or perhaps a variation on The Odd Couple<\/em><\/strong>. It is both a comedy and a drama, mixing the playful with the serious in a way that mirrors life itself.<\/p>\n It begins with a chance meeting between two gamblers. They are seated at the same poker table at the fictional California Club. The <\/strong>movie\u2019s setting\u00a0uncannily recreates one of the several Gardena<\/strong> poker rooms that were popular at the time. So uncannily, in fact, that Walsh notes some poker players have insisted to him over the years they played at the California Club, even though it was entirely built on a set<\/strong>.<\/p>\n Elliott Gould<\/strong> plays Charlie Waters<\/strong>, a seemingly happy-go-lucky type always eager to place his next bet. George Segal<\/strong> portrays Charlie\u2019s new friend, Bill Denny<\/strong>, whose relationship with gambling is less certain.<\/p>\n For Bill, gambling fills some sort of need in his life. It provides a temporary emotional fulfillment he is otherwise lacking. Charlie does not have such a problem. For Charlie, gambling doesn\u2019t serve to replace something else in his life \u2014 gambling is<\/strong> his life.<\/p>\n There is a great deal to praise about California Split<\/i>. Director Robert Altman<\/strong> (M*A*S*H<\/i><\/strong>, Nashville<\/i><\/strong>, The Player<\/i><\/strong>) brings to the film his signature style, often crowding the frame with a great deal of information. The crew used an experimental sound technique that involved recording eight separate audio channels. As a result, the multiple conversations in many scenes often create an appropriately casino-like atmosphere (even when not in a casino).<\/p>\n Gould and Segal are both excellent in their roles, demonstrating tremendous chemistry despite their characters\u2019 different outlooks. Meanwhile, Walsh\u2019s episodic story provides a series of captivating and entertaining situations. These include:<\/p>\n Those who have seen the film remember all of these scenes. Those who haven\u2019t can look forward to enjoying them.<\/p>\n Meanwhile, here are some highlights from my conversation with Walsh about the film.<\/p>\n In real life, Walsh has always been more Charlie than Bill. A dedicated gambler, the 83-year-old has always loved being \u201cin action.\u201d Meanwhile, Gould, who plays Charlie is actually much more like Bill, at least when it comes to gambling.<\/p>\n Walsh knows this because he and Gould have been lifelong friends, having met as teenagers when schoolmates in New York City<\/strong> in the early 1950s. Gambling played a part in their friendship from the start, with the risk-loving Walsh often taking the lead in their betting adventures.<\/p>\n \u201cI convinced Elliott I was the greatest handicapper known to man,\u201d laughs Walsh. \u201cSomehow I had an antenna, boy. I could pick football games. I just knew who would win. I told Elliott to give me $60 and I had $91. I told him I didn\u2019t know how any one of my 15 college games can lose.\u201d<\/p>\n Walsh found a bookie and put the pair\u2019s money down on a series of parlays involving those 15 games. As it turned out, Walsh was almost right. He was on the right side of 14 games (against the spread!), with the 15th ending in a push! They\u2019d turned their $151 into around $1,500.<\/p>\n \u201cElliott is looking at me like \u2018my friend is a freak of nature\u2026 Joey is spooky as it gets!’\u201d Walsh remembers. It goes without saying the pair were never able to recreate such a streak again, but that didn\u2019t stop them from trying.<\/p>\n The streak does make kind of a reappearance, however, in California Split<\/i>. I\u2019m referring to the Reno sequence at the end of the film that\u00a0cleverly mixes humor and suspense as Bill gambles with the pair\u2019s money (and keeps winning) while Charlie watches from the rail.<\/p>\n I\u2019ll avoid spoilers, but it\u2019s safe to say Split<\/i> does not exactly feature a typical \u201cHollywood ending.\u201d That\u2019s not Walsh\u2019s style. In fact, the ending is one reason why I believe the film has endured so well.<\/p>\n \u201cThe film will never be dated,\u201d Walsh agrees. \u201cIt\u2019s not going to be dated because I took anything that would be dated out of it.\u201d<\/p>\n It\u2019s true that even decades later, the series of episodes involving Charlie and Bill still speak directly to the gambling experience<\/strong>.<\/p>\n California Split<\/i> depicts many different types of gambling. There\u2019s poker, blackjack, roulette, and craps. The characters also wager on horse races, boxing, and make those aforementioned bets on Snow White <\/em><\/strong>characters and pick-up basketball.<\/p>\n The movie also presents an incredible variety of relatable emotions related to gambling, from the rush of winning to the crush of losing and everything in between.<\/p>\n Viewers who do gamble recognize and identify with the frustration, excitement, boredom, and pleasure the characters experience while gambling. The film even depicts the sort of existential self-doubt that can rise up and cause a gambler to question the purpose of constantly taking risks and seeking rewards.<\/p>\n The point was to \u201ckeep it honest,\u201d says Walsh of his depiction of gambling. As he puts it, he did not want \u201cto glamorize it or make it more \u2018movie-ish.’\u201d<\/p>\n It is fair to say that Walsh primarily wrote the film for gamblers, or at least with an intention to present gambling in a way that gamblers would recognize as truthful. Put another way, Walsh didn\u2019t write California Split<\/i> for those who excitedly watch others <\/strong>gamble and who possess all sorts of erroneous conclusions about what they think they are witnessing.<\/p>\n By way of contrast, Walsh brings up The Cincinnati Kid<\/i><\/strong>, the 1965 film starring Steve McQueen<\/strong> that like California Split<\/i> often appears on \u201cbest ever\u201d lists of poker and\/or gambling movies.<\/p>\n \u201cI like The Cincinnati Kid<\/i>, too,\u201d says Walsh, though he adds that while the film is dramatic and engaging, it\u2019s not necessarily the most realistic representation of gambling.<\/p>\n Walsh had to fight some significant behind-the-scenes battles in order to avoid letting California Split<\/i> be transformed into a different kind of movie. In fact, such battles included at one point having to consider casting the Cincinnati Kid himself, Steve McQueen<\/strong>, in Split<\/em>\u00a0(a possibility never realized, likely for the better).<\/p>\n \u201cI didn\u2019t cater to anything,\u201d he insists, noting how he avoided the temptation to embellish or make gambling seem more romantic than it really is.<\/p>\n \u201cEvery time there was a precious line that would have sounded so f***ing smart, I said get rid of it,\u201d Walsh laughs. \u201cIf you remain true [to your characters and subject], you don\u2019t over-intellectualize it,\u201d he adds. \u201cYou can see the real feeling and emotion of gambling.\u201d<\/p>\n \u201cThat will never go out of style. The film has a life that\u2019s been unbelievable. It\u2019s been incredible.\u201d<\/p>\n As if to prove even more conclusively the continued appeal of California Split<\/i>, few know about it but there was an earnest effort made recently to create a big-budget Showtime<\/strong> series based on the film. Walsh shared a few behind-the-scenes details of that story during our conversation.<\/p>\n The project was to have involved director Todd Phillips<\/strong> and his company, Green Hat Films<\/strong>. The director of Old School<\/i><\/strong> and The Hangover<\/i><\/strong> trilogy worked for several months with Showtime<\/strong> to create a series inspired by the film, to be titled California Split<\/i>.<\/p>\n The negotiations were quite exciting for Walsh. There would be a conspicuous credit for him at the start of every episode. And not least importantly, a handsome payday as well.<\/p>\n \u201cThis would have been a bonzana for me,\u201d says Walsh. \u201cIt was all set. They wanted to do it. They were nice enough to send the screenplays to me. It was a nice job, especially the first episode. They kept the characters, and were doing a lot of scenes from California Split<\/i>.\u201d<\/p>\n Walsh mentions one example, the woman superstitiously switching seats at the California Club poker game, as a detail from the film reappearing in the TV script.<\/p>\n A number of rewrites followed. There was even talk of Walsh being called upon to write an episode, perhaps during the second season.<\/p>\n \u201cThat would have been nice,\u201d says Walsh. \u201cI think I have a wonderful episode in me.\u201d<\/p>\n Alas, a last-minute disagreement (not involving Walsh) thwarted the project. Phillips was suddenly gone, having moved on to direct the award-winning Joker<\/i><\/strong> and to pursue other projects.<\/p>\n The way Walsh tells the story, it was as though he had been on the verge of collecting a massive pot when his opponent unexpectedly rivered a one-outer.<\/p>\n \u201cIt all blew up. I couldn\u2019t believe it. It was one of those where you knew you were 98 percent, 99 percent,\u201d he chuckles.<\/p>\n Coming from someone else it might have sounded like a bad beat story. But a lifetime of bets won and lost prevents Walsh from succumbing to anything resembling self-pity, even where it might be deserved.<\/p>\n \u201cThat knocked me on my ass for 10 days. But somehow after 10 days, I said okay\u2026 what\u2019s on the other side of this? Are you going to let this crush you?\u201d<\/p>\n The answer was no, and among other things during the years since Walsh wrote and has now published his hilarious Hollywood memoir, Who Says It\u2019s Over<\/i><\/strong><\/a>.<\/p>\n \u201cI\u2019m in the win column, already,\u201d says Walsh, characteristically accepting that which he cannot control.<\/p>\n As California Split<\/i> well shows, you win some and you lose some. It\u2019s how you handle those wins and losses that matters most.<\/p>\n The post Revisiting the Classic Gambling Film \u2018California Split\u2019 With Writer Joseph Walsh appeared first on Play CA.<\/p>\n","protected":false},"excerpt":{"rendered":" The 1974 film California Split is regarded by many as one of the best depictions of gambling in movie history.… Continue reading Revisiting the Classic Gambling Film \u2018California Split\u2019 With Writer Joseph Walsh<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":43582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"link","meta":{"_acf_changed":false,"inline_featured_image":false,"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[371,6],"tags":[],"class_list":{"0":"post-43577","1":"post","2":"type-post","3":"status-publish","4":"format-link","5":"has-post-thumbnail","7":"category-culture","8":"category-news-category","9":"post_format-post-format-link","10":"entry"},"acf":[],"yoast_head":"\nA couple of gambling buddies who are anything but two of a kind<\/h2>\n
California Split\u2019s place in film history<\/h2>\n
\n
Friendships and gambling: The day Joey went 14-0-1<\/h2>\n
Forget the romance, \u2018Split\u2019 offers a realistic view of gambling<\/h2>\n
A \u2018California Split\u2019 TV series?<\/h2>\n